Thursday, February 28, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Wednesday, February 27, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Expanding the Perceptions of Borders", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Tuesday, February 26, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
and what would i be doing
if i were young and beautiful?
if i were young and beautiful?
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Monday, February 25, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Digging Out", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Sunday, February 24, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "The Edge of Brokenness", acrylic on panel |
with accompanying text by Amy Willans:
a piece of your handwritten ‘i don’t love you anymore’ note
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Saturday, February 23, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "A Snapshot in Time", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Friday, February 22, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Her Hair is On Fire", acrylic on panel |
with accompanying text by Amy Willans:
i’m the woman on the bus / her hair is on fire / she smells like lit skin
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Thursday, February 21, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Time has Little Relevance", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Wednesday, February 20, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "You'd Say It", acrylic on linen |
with accompanying text by Amy Willans:
if only you could see the shape of the ice on my window
you’d say it looked like jesus, you’d say it.
you’d say it looked like jesus, you’d say it.
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Tuesday, February 19, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Richard Boulet, "Purification", detail, quilting, needle punch and cross stitch |
Boulet says of his illness: The trauma attached to a mental illness is a hard hand of cards to play and not to taken lightly. I still feel the psychological wounds of schizophrenia deep in my bones. With this said, it seems to me that no human being lives their life without psychological wounds of one sort or another. This is the price of being human. Perhaps our wounds are what make us empathetic and truly useful to others.
Monday, February 18, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Treatment", photo/collage on canvas |
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Sunday, February 17, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Awareness of an Existing Reality", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Saturday, February 16, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
even you with your soft hands
don’t really want to be standing on the other side of this door, do you?
while outside they whisper: she’s a loony, loony, lunatic
don’t really want to be standing on the other side of this door, do you?
while outside they whisper: she’s a loony, loony, lunatic
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Friday, February 15, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Richard Boulet, "Jesus at Thirty-Three", mixed media fibre |
Boulet says of his illness: The trauma attached to a mental illness is a hard hand of cards to play and not to taken lightly. I still feel the psychological wounds of schizophrenia deep in my bones. With this said, it seems to me that no human being lives their life without psychological wounds of one sort or another. This is the price of being human. Perhaps our wounds are what make us empathetic and truly useful to others.
Thursday, February 14, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Let Me Disappear", photo/collage on canvas |
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Wednesday, February 13, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "By the Light of the Moon", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Tuesday, February 12, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Reassembled", acrylic on canvas |
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Monday, February 11, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Richard Boulet, "Acute Dystonic Reaction Ex Voto", mixed media fibre, paper, felt pen |
Boulet says of his illness: The trauma attached to a mental illness is a hard hand of cards to play and not to taken lightly. I still feel the psychological wounds of schizophrenia deep in my bones. With this said, it seems to me that no human being lives their life without psychological wounds of one sort or another. This is the price of being human. Perhaps our wounds are what make us empathetic and truly useful to others.
Sunday, February 10, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Rest My Eyes", acrylic on canvas |
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Saturday, February 9, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Ebb and Flow", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Friday, February 8, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "A Chant So Beautiful", acrylic on panel |
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Thursday, February 7, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Richard Boulet, "Innocently Managed", quilting, needle punch and cross stitch |
Boulet says of his illness: The trauma attached to a mental illness is a hard hand of cards to play and not to taken lightly. I still feel the psychological wounds of schizophrenia deep in my bones. With this said, it seems to me that no human being lives their life without psychological wounds of one sort or another. This is the price of being human. Perhaps our wounds are what make us empathetic and truly useful to others.
Wednesday, February 6, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "In My Pink Room", photo/collage on canvas |
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Tuesday, February 5, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "An Alternate World", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
Monday, February 4, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Pills", mixed media |
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Sunday, February 3, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Richard Boulet, "Purification", quilting, needle punch and cross stitch |
Boulet says of his illness: The trauma attached to a mental illness is a hard hand of cards to play and not to taken lightly. I still feel the psychological wounds of schizophrenia deep in my bones. With this said, it seems to me that no human being lives their life without psychological wounds of one sort or another. This is the price of being human. Perhaps our wounds are what make us empathetic and truly useful to others.
Saturday, February 2, 2013
Laurie MacFayden + Amy Willans: Fighting Normal
Laurie MacFayden, "Where the Scream is Waiting to be Screamed", acrylic on canvas |
with accompanying text by Amy Willans:
close that gaping hole that rots in my chest
where the scream is waiting to be screamed
where the scream is waiting to be screamed
Fighting Normal brings together the work of visual artist Laurie MacFayden and poet Amy Willans. This exhibition, in Gallery B, explores the impact of mental health issues. It runs concurrently with awareness of an altered world by Richard Boulet and Sue Seright in Gallery A until March 2, 2013. The gallery will be closed on Saturday, February 16, but otherwise is open from Wed-Fri, 10-4 and Sat 12-4.
MacFayden describes her process this way: For me, art-making is not merely a process of visual expression but a merging with the divine spark/vibrational energy that I consider to be the creative process. The resulting work is hard to categorize: I paint serene, post-impressionist landscapes and I paint boisterous, abstract-espressionist colour bombs. I paint electric skies and lively, dancing gardens; my urban and “inner” landscapes are more visceral. I apply paint with a vengeance, using brushes, knives, electric toothbrush, rolling pin … dabbling, flinging, dripping.
Friday, February 1, 2013
Richard Boulet + Sue Seright: awareness of an altered world
Sue Seright, "Anchored Flight", mixed media constructions |
Seright describes her process this way: My art is one way to break free of the stigmas and allow it to speak about my own personal journey with mental health challenges. It also gives me a way to visual track where I have been and where I might go. The book tells my story within a story. Like Bipolar ll, it is composed of two parts: the original book itself and the carved away pieces which reconfigure the second story to make a whole.
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